A fabulous bright day with buzzards and kestrels observing progress from overhead through 6 hours. One visitor late in the day, a returner I’d met at Gumber in June. It was helpful to talk through some of the now-resolving forms rather than just talking to myself. I’m cutting hard into the remaining areas, trying to get as much contrast into the forms through degrees of shade.
More on this post in the published book.
Slindon Sculpture 
When painting I often used to look at my work through a mirror, and also to rework compositions upside-down. It’s remarkable the faults one spots by looking ‘differently’.
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